jeder kehre vor seiner Tür - Definition. Was ist jeder kehre vor seiner Tür
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Was (wer) ist jeder kehre vor seiner Tür - definition

LITERARY WORK
Draussen vor der Tür; Draußen vor der Tür
  • Title page of the first German print (July 1947)

Nuncia María Tur         
ARGENTINIAN BOTANIST (1940-1979)
Nuncia Maria Tur
Nuncia María Tur (born 1940) is an Argentine botanist. She is a researcher in the Vascular Plants Division, Faculty of Natural Sciences, the National University of La Plata.
Naftali Herz Tur-Sinai         
BIBLE SCHOLAR (1886-1973)
Naphtali Herz Tur-Sinai; Tur-Sinai
Naftali Herz Tur-Sinai (; born 13 November 1886 – 17 October 1973) was a Bible scholar, author, and linguist instrumental in the revival of the Hebrew language as a modern, spoken language. Tur-Sinai was the first president of the Academy of the Hebrew LanguageWigoder, G.
An Túr Gloine         
ART STUDIO
An Tur Gloine
An Túr Gloine (; Irish for "The Glass Tower") was a cooperative studio for stained glass and opus sectile artists from 1903 until 1944, based in Dublin, Ireland.

Wikipedia

The Man Outside

The Man Outside (German: Draußen vor der Tür, literally Outside, at the door) is a play by Wolfgang Borchert, written in a few days in the late autumn of 1946. It made its debut on German radio on 13 February 1947.

The Man Outside describes the hopelessness of a post-war soldier called Beckmann who returns from Russia to find that he has lost his wife and his home, as well as his illusions and beliefs. He finds every door he comes to closed; even nature seems to reject him.

Due to its release during the sensitive immediate postwar period, Borchert subtitled his play "A play that no theatre wants to perform and no audience wants to see." Despite this, the first radio broadcast (February 1947) was very successful. The first theatrical production of The Man Outside (at the Hamburger Kammerspiele) opened on the day after Borchert's death, 21 November 1947.

The play consists of five scenes in one act. It makes use of expressionist forms and Brechtian techniques, such as the Verfremdungseffekt (estrangement effect) to disorient and engage its audience.